The short answer
Mural installation in Lighthouse Point starts with exact wall measurements so the print is sized with bleed, then a smooth primed surface, then panels hung in sequence to a plumb line. Most single-wall murals go up in one day once the wall is ready.
A printed mural turns a whole wall into one continuous image: a tropical leaf print in a bedroom, a soft watercolor horizon in a living room, a map or botanical scene in a child's room. Unlike repeating wallpaper, a mural only works if every panel lands in exactly the right place, because there is no repeat to hide a mistake. We are based in Pompano Beach, roughly a mile northwest of Lighthouse Point, and we install custom and stock murals in homes and condos throughout this part of Broward County. Here is how the process works, from measuring the wall to sending the print order to hanging the final panel.
Measure first, order second
The most common mural problem we see is a print ordered from a rough tape measurement that turns out a few inches short. Walls in South Florida homes are rarely perfectly square, ceilings can dip toward the center of a room, and baseboards sometimes run at a slight angle. We measure width at the top, middle and bottom, and height at both ends and the center, then use the largest numbers.
Most mural printers ask for extra image around all four edges, often called bleed, so the installer can trim to the actual ceiling and floor lines. We tell you how much to add for the product you are buying and where the focal point of the image will fall once trimmed, so a sunset or a key figure does not get cut off behind a headboard or TV.
- Width measured at three heights, height at three points
- Bleed added on every side to allow for trimming
- Focal point checked against furniture, outlets and switches
- Panel count and overlap or butt-joint style confirmed with the printer
Choosing a mural material for a humid house
Murals come printed on several bases, and the choice matters in a city this close to the coast. Nonwoven prints are the most common for homes: they hold their size when pasted, go up with adhesive on the wall, and come off cleanly later. Vinyl-coated prints add a scrubbable surface, a good idea in a playroom, a kitchen nook or a bathroom with a strong exhaust fan. Peel-and-stick murals are convenient for renters but tend to lift in humid rooms unless the wall is perfectly smooth and the AC holds steady.
Sun is the other factor. A mural facing a west window or a glass slider will slowly lose saturation. If that wall is the one you want, ask the printer about UV-resistant inks or a protective coating, and consider window film or sheers.
Preparing a wall that will show everything
Large photographic images expose every dent and ridge underneath them, especially under raking light from a window. We fill and sand holes, scrape loose paint, and skim coat textured drywall smooth. Interior faces of concrete-block walls often have plaster or furring with drywall, and both need to be dry and sound before printing anything on top.
A wallpaper primer goes on last. It evens out absorption so the adhesive dries uniformly, keeps the panels from shrinking at the seams, and allows the mural to be removed someday without pulling off the drywall paper.
Hanging the panels in order
Mural panels are numbered for a reason. We lay them out on the floor, confirm the image flows from one to the next, and check the panel widths against the printer's spec sheet. The first panel is aligned to a laser or plumb line, not to the corner, so the whole image stays level even if the corner leans.
Each following panel is matched at the seam by eye and checked at several heights, since printed images can drift slightly from top to bottom. Air is pushed out toward the edges with a soft smoother, excess paste is wiped from the face right away, and the top and bottom are trimmed only after the full width is up. Outlets and switches are cut out last, with the circuit off.
After the install
Give the adhesive a couple of days to cure before pushing furniture back tight against the image. Keep the room air conditioned and avoid aiming a fan or vent straight at the fresh seams. During the hot, wet months from May through October, a steady indoor humidity level is what keeps panel edges flat.
If you are taking down art or moving furniture as part of storm preparation between June and November, set pieces down away from the wall rather than leaning them against the mural.
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